$30 inc. GST
Ships FromMelbourne, AU
Delivery
Special order. Import item. Usually dispatched within 2 to 3 weeks.

LOVE IS A PLEASURE

I Tones

Title
LOVE IS A PLEASURE
Artist
UPC
706091999741
Genres
Release Date
Oct 25, 2019
Format
7in
Weight
0.3
Price
$30inc. GST
Ships From
Melbourne, AU
Delivery
Special order. Import item. Usually dispatched within 2 to 3 weeks.
In our process to research and find out as much about Boston?reggae and the artists who created it for our Take Us Home?compilation we met a musician named Abdul Baki. Abdul was?one of the founding members of the group the I Tones as well as?many other Boston roots reggae groups over the years. One day?while we were chatting at his place I almost tripped over a box in?his garage and it turned out it was a box of the I Tones first single?Love Is A Pleasure. So we are able to offer you up a rare piece?of Boston roots reggae history - original copies of I Tones Love?Is A Pleasure 45.?The first I-Tones recording featuring the original line up of?Abdul Baki, Chris Wilson, Luke Ram Ehrlich, and Horace?Reid reflects their combined reggae scholarship on the 45,?Love is a Pleasure.?Freddie McKay had recorded a song called 'Love is a Treasure'?twice, explains Ram, once for Treasure Isle and once for Studio?One. We sort of combined the two versions and then added?[elements of] 'Melody of Life' by Marcia Griffiths and?Love is a Message' by Jacob Miller.?The flipside was a dub of the tune, reflecting the group's true?musical calling card. Dub expands time, observes Baki. It?doesn't fill in the time and space with sound, like jazz. Ram?understood how to use that space in between sound. When you?echo out, it creates a rhythm pattern that is very complex. We?didn't need to fill up every space. We valued that space.?Chris and myself combined on the upbeat of the songs of the?music, continues Baki. We played at exactly the same time, so?our notes were blending ... I played my piano as a drum and?Chris played his guitar as a scraper, and we blended on the?upbeat to sound like a banjo, a throwback to Jamaican Mento.?Wilson recalls recording in a Jamaica Plain studio whose staff?had no prior experience with reggae.It was a bit of a struggle,?and that made me get a four-track recorder, says Wilson, who?also proudly notes that the band's echo machine was the same?one used by Jamaican dub visionary Lee Scratch Perry.??A. Love Is A Pleasure B. Love Is A Dub
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