SOL (VINYL)

For his sixth solo album, Ezechiel Pailhes returns with a new collection of songs infused by a sunny wandering spirit.
Within each of the twelve songs on SOL is a thread of melancholic happiness that has permeated much of Pailhes'''' music and songwriting. He addresses love, the passing of time, hope, lost illusions, fleeting moments of grace, the temptation of forgetting, a need to escape, and desire. All this is
insulated by understated orchestrations that blend acoustic and electronic instrumentation with deft confidence.
The Portuguese and Brazilian concept of saudade'a form of melancholic longing and nostalgia' pervades, thanks in part to Pailhes decision to record the album in Rio de Janiero and to reinterpret some of the finest works of Musica Popular Brasileira (MPB). In particular, he revisits a handful of
lesser known classics from the mid-century samba and bossa nova era'originally written or performed by talents including Vinicius de Moraes, Joao Gilberto, Tom Ze, Dorival Caymmi, Joao Donato, Os Tincoas, and Ataulfo Alves.
The shift from Brazilian Portuguese to French and the decision to adapt rather than perform a straightforward cover versions, allows Pailhes to invent a form of prosody and euphony (the musicality and harmonious combination of words) that feels vibrant and unlike anything else in today''''s French
chanson landscape.
'Some lyrics are simple translations from Portuguese, in what I''''d call an expanded version. For others, I started from a single word or a single phrase and embroidered an entirely new text that carried me elsewhere," explains Pailhes. 'I allowed myself great interpretive freedom, while preserving the humanist dimension of the original songs. I''''ve always been deeply moved by the way Brazilians transfigure reality through heightened emotion. I love this visceral and spontaneous country, which always seems to live through emotion. And above all, I love its music both popular and unifying,
bringing together all social classes. In that sense, it''''s very political music, but even more so utopian, made by the people and for the people."
On this new album, however, the French artist was keen to avoid cliche. Each song is therefore built around a carefully balanced interplay between Pailhes'''' piano and synthesizers, alongside restrained arrangements of percussion, brass, bass, and cavaquinho (a small four-string plucked guitar). These parts were recorded in Rio de Janeiro with two musicians who regularly perform alongside the legendary Caetano Veloso'Kaina Do Jeje and Alberto Continentino'joined by Thomas Harres, Antonio Neves, Eduardo Neves, and Gabriel Loddo.
Since the 1960s, France and Brazil have shared a long-standing cultural and musical relationship. Some Brazilian artists, most famously Gilberto Gil, took refuge in France during the dictatorship years (1964'1985). But above all, French chanson quickly fell in love with the richness and ingenuity of
bossa nova and samba, translating and reinventing them in the language of Moliere. Throughout the 1960s and 1970s, albums and hits by Henri Salvador, Georges Moustaki, Pierre Barouh, Pierre Vassiliu, and Claude Nougaro all drew from the MPB repertoire.
Fifty years later, with SOL, Ezechiel Pailhes reinvents this rich Franco-Brazilian musical legacy, bringing to it a personality and modernity that stand confidently alongside those of his forbears.